The fourth workshop of the photographic project called “contemporary realism” has become an informal-material type. 
The chromatic residues of old metropolitan graffiti have been photographed which have aged with expressive-visual interventions of different themes, bleached and partly erased with faded, dull, partly discolored colors, to then be covered by other graffiti that wear time has faded again, but with the presence of an informal-material iconography. The collected photographic product highlights the cancellation of any pre-established shape or shape. All this manages to transport the visual memory to the masterpieces of informal painting. In fact, technically they are chromatic interventions with signs that do not delineate a border with the remaining chromatic residue, helping to enhance images free to wander in a metropolitan context.
