Photographs of everyday life
In several photographs of everyday life taken from real life I am able to detect different expressive values of twentieth-century contemporary art because they possess the same visual structure as the main artistic movements. 
From Impressionism onwards, the most decisive element of fusion is undoubtedly the essence of conceptualism, which was defined anagraphically in the sixties and seventies but concretely emerged in much pre-conceptual and post-conceptual artistic production. 
The conceptual essence of real-life photographic expressionism, inherent in our metropolitan daily life, is completed when the image, through its compositional structure, manages to convey sensations and emotions. Perhaps it is worth remembering that conceptual art significantly scales down form and technique to make room for the concept, which can be represented with any expressive language, including photography, which is undoubtedly contemporary in this regard as well.
